Terça-feira, Novembro 10, 2009

das experiment (2001)



Made in 2001, the german movie directed by Oliver Hirschbiegel is based on the infamous "Stanford Prison Experiment" conducted in 1971, as you can see in Quiet Rage: The Documentary.
An experiment that started out to be the first study about human behaviour within the limitations imposed to prisoners. Creating an environment, with the help of volunteers, of a real prison.
Although it is a fictioned story based on what really happened in Stanford with the experiment lead by Prof. Zimbardo, the movie is about the human attitudes that took the experiment to an end after six days.
At first we see that it all begins as a game for everyone but soon the impulses of leadership and the fear of humilitation start out to be the element of disorder and a cataliser for the events that rapidilly take place within the improvised installations.
Similar to what happened in Stanford Prison the volunteers were divided into guards and prisoners establishing already a difference even if that choice was as random as it could, after 36 hours the first riot happens out of the prisoner 77 setting out that he he's only inside a game and for that he wants to be treated with respect.
This leads to a rage from the guards that develop a animosity with that prisoner specially, and for that start a silent revenge and the necessity to be respected by those who are prisoners starts to overcome the fact that they're only within a "laboratory experiment".
The movie exponentiates the consequences of Stanford Prison to a so that it can be clear the effects that such experiment can have in human beings that are exposed to stress and pressure, and above all, lack of freedom.
One the main aspects of the movie is that some of the men playing "the prisoners" soon started to panic and the income they're getting from that experience were no longer important, even that that was the main reason for them to have joined the experience in the first place.

The identity loss was one of the important factors in the changing of the behavior, for the prisoners to be humiliated as such, and for the guards to gain a respect that they did not had in their regular life.

Imprisionment is all about the things you loose, about the exterior, about getting out of that place no matter what.

Segunda-feira, Novembro 09, 2009

the fall of the wall



Berlin Wall

Domingo, Novembro 08, 2009

two sleepy people

...and too much in love to say goodnight.

I would be glad to reach the end of my life and feel like this. To have a nest to rest, and stay there just about the same with foggy little fellows and have that warm sleepy feeling that makes us feel just alright.
Not this sleepness I feel nowadays that is a sign of dispair and anxiety, a numbness that I let myself fall in just not to confront the reality, or phearhaps it's the confrontation of it that makes me feel like this.
I wanted for that sleepy people to be next to me, to embrace all the memories I will have whenever that time comes.
Isn't it funny that the more evolved generations become the more earlier the concerns about that time of life that comes for everyone come and set their space within our more important thoughts.
Like Jean Baptiste Grenouille (the character written by Patrick Süskind in the novel "Das Perfume") I find myself discontent several times with human kind, and I feel I have this urge to find the perfectness within the human being - of course I will not become a serial-killer or try to recollect the human scent - and try to build my self up to that image I have of humans.
"We are the people we meet" and for that I keep my statement of "Humanity is a congregation of human flaws", for we have a natural aptness to incorporate the failures we see from the moment we are born, it's like goodness is already installed and within the program and then we learn new parameters - like computers have their development set by the errors bad users make to them till they reach a point when they're full with incomplete files and viruses - and build different grades of mal-function actions and behaviours, those we had to set regulations to stop them from destroying humanity before it could understand its own existence.

back to virginity

a difficult bird to cage: Mademoiselle 'non'


auto-portrait for Vogue Magazine

Sylvie Guillem

wiki_info

Intermission (2003)

momentos musicais_para boring sundays


Celine Dion: Taking Chances

Marcel Dion | MySpace Video


cover version (glee)





Mozart's Requiem

Sexta-feira, Novembro 06, 2009

VideoDanza_BuenosAires


Más fotos como esta en | Mais fotos como esta em movimiento.org | movimento.org

VideoDanzaBA 09 [November 14th - 22nd] - programación

Since 1995, VideoDanzaBA, founded as Festival Internacional de Video-danza de Buenos Aires, is a platform for divulging, learning, discussing, and developing networks about the artistic work around the axis body-technology in the broadest sense.With a strong accent on the exchange with the Latin American countries, that lead to the establishment of Circuito Videodanza MERCOSUR (CVM) and the Latin American Videodance Forum (FLV), VideoDanzaBA have also developed residency plans with foreign organizations such as South East Dance (RU), among others, to increase the research opportunities and the artistic exchange, in a frame that encourages diversity.

Programación Martes 17 (Noviembre)/ CCR: Microcine

...
17: 30 hs. AL BORDE (Selección VD - 73 min)

• Bailarina (Cobi Migliora/5:35 min./Argentina/2009)
The movement of things (Daniel Pinheiro/9:20 min./Portugal/2008)
• Calle de las 7 Cruces (propuesta para un recorrido) (Valeria Andrade/7 min./Ecuador/ 2008)
• Poema del tiempo (Jorge Bernal-Mayra Forte-Abel Moreyra/10 min./Argentina/2009)
• Hydra II (Vera Wilner/10 min./Argentina/2009)
• Beso.te.beso (Marcela González Cortés/7:32 min./Argentina/2009)
• Sin darle cuerda (Diana Salcedo-Patricia Pisman/5:51 min./Colombia/2008)
• Living Colors (Guillaume Le Grontec-Stefanie Batten Bland/2:53min/ Estados Unidos-Francia/2006)
• Get closer (Roberto Contini-Alida Bernardi/2:35 min./Italia/2008)
• Hodoku (Nadia Patrian-Silvina Cortés-Ernesto Chacón Oribe/12:58 min./Argentina/2008)

Quinta-feira, Novembro 05, 2009

when the world is a bit a mess

"Fall"

the season when renovation begins...



dre.dance nyc

music by: Nico Muhly

Terça-feira, Novembro 03, 2009

we love glee...

Estou completamente "agarrado" à série Glee...
A nova série da FOX já estreada em Setembro está a fazer furor e a arrecadar fãs por todo o lado. Uma metáfora desta nossa High School Generation viciados em conseguir o seu "grande" momento de fama. Os "Prom Kings and Queens", os "Loosers" e um clube de teatro musical onde todos os sonhos são possíveis...

Disco used to rule the old school Glee. Now it's all about giving it all and go "Grease" all over again.



moreallofme/glee

It's all about for them being the stars! And get the popular kids to join the parade...

Something about Lea Michele:

She doesn't live here anymore

Pina Bausch is dead.

The sudden and abrupt end of her life and her creativity
shocked her family, her friends, dancers, collaborators
and admirers of her art all over the world.

We are in mourning.

Pina will continue to influence all of us
who were in touch with her
and who experienced the magic of her work
as well as the righteousness and tenderness of her look
at us and at our times.

I'm brokenhearted
that we started our long-envisioned collaboration and film
too late.

Wim Wenders

guardian.co.uk

Sábado, Outubro 31, 2009

retroculture : The Cassette Resurrection

On an iPod generation, cassettes have turned into a retro object, worth being brought again to our days with other utilities:

recycle: designboom/cassette tape culture

ready-made by Gabriela Piserchia and Leandro Lobosco: Redimei Objetos Binários

celebrate don't forget - Vanessa Serna: Cassette is not dead

coin it by Marcella Foschi: Private Circle

case it on a cassette for iPod's (Nano Cases) by Nathan Lee and Trevor Coghill: Contexture Design

don't loose them, all together use them!: Creative Barn

artigo na revista DIF edição de 7º aniversário