The powerful new film from Göran Hugo Olsson, director of The Black Power Mixtape, is a fresh and bold visual narrative, documenting the liberation from colonial rule in the ‘60s and ‘70s in Africa. Working with recently discovered archival footage, the film depicts some of the most daring moments ever captured during the anti-colonialist struggle. Drawn from Frantz Fanon’s still-evocative and searing text “The Wretched of the Earth” and narrated by the socially engaged singer Lauryn Hill, CONCERNING VIOLENCE is a striking and emotionally resonant cinematic essay, which confronts the dehumanizing mechanisms of colonialism of the past to illuminate the urgent need for change in the present.
...We should flatly refuse the situation to which the Western countries wish to condemn us. Colonialism and imperialism have not paid their score when they withdraw their flags and their police forces from our territories. For centuries the capitalists have behaved in the underdeveloped world like nothing more than war criminals. Deportations, massacres, forced labor, and slavery have been the main methods used by capitalism to increase its wealth, its gold or diamond reserves, and to establish its power. Not long ago Nazism transformed the whole of Europe into a veritable colony. The governments of the various Europan nations called for reparations and demanded the restitution in kind and money of the wealth which had been stolen from them: cultural treasures, pictures, sculptures, and stained glass have been given back to their owners. There was only one slogan in the mouths of Europeans on the morrow of the 1945 V-day: "Germany must pay." Herr Adenauer, it must be said, at the opening of the Eichmann trial, and in the name of the German people, asked once more for forgiveness from the Jewish people. Herr Adenauer has renewed the promise of his people to go on paying to the state of Israel the enormous sums which are supposed to be compensation for the crimes of the Nazis.
In the same way we may say that the imperialist states would make a great mistake and commit an unspeakable injustice if they contented themselves with withdrawing from our soil the military cohorts, and the administrative and managerial services whose function it was to discover the wealth of the country, to extract it and to send it off to the mother countries. We are not blinded by the moral reparation of national independence; nor are we fed by it. The wealth of the imperial countries is our wealth too. On the universal plane this affirmation, you may be sure, should on no account be taken to signify that we feel ourselves affected by the creations of Western arts or techniques. For in a very concrete way Europe has stuffed herself inordinately with the gold and raw materials of the colonial countries: Latin America, China, and Africa. From all these continents, under whose eyes Europe today raises up her tower of opulence, there has flowed out for centuries toward that same Europe diamonds and oil, silk and cotton, wood and exotic products. Europe is literally the creation of the Third World. The wealth which smothers her is that which was stolen from the underdeveloped peoples. The ports of Holland, the docks of Bordeaux and Liverpool were specialized in the Negro slave trade, and owe their renown to millions of deported slaves. So when we hear the head of a European state declare with his hand on his heart that he must come to the aid of the poor underdeveloped peoples, we do not tremble with gratitude. Quite the contrary; we say to ourselves: "It's a just reparation which will be paid to us."
From: THE WRETCHED OF THE EARTH - By FRANTZ FANON
Preface by JEAN-PAUL SARTRE / Translated by CONSTANCE FARRINGTON - GROVE WEIDENFELD NEW YORK