Reverse Television

"Reverse Television" was created in the mid-1980's by video artist Bill Viola. The 30-second portraits were about portraiture and the idea of a person staring at the viewer (as the viewer stares at the TV screen). Conceived of as a "micro-series," the work features 42 30-second portraits of television viewers in their living rooms. The portraits appear very formally composed, with attention paid to composition, lighting, and color. The viewers sit quietly, only occasionally making a slight shift in position. No external sound score has been added, so that the only sounds heard are sync sounds that have been heightened. These sounds include viewers' clothing when they move, swallowing, and background noises, such as traffic outside the viewer's home or a dog barking in the distance.

The portraits were all of people from around the Boston area; all were shot in their own living room (or TV room). It was intended that these portraits would appear during programming breaks one at a time with no indication to the viewer of what they were. They were to appear often, so that a viewer who might not recognize what he or she saw once would gradually see more than one and become intrigued.

Series The New Television Workshop originated at WGBH, a public broadcasting station in Boston, Massachusetts, in 1974 to support the creation and development of experimental video art. This experimental programming included dance, drama, music, performance and visual arts on video and film. As early as 1968, WGBH was committed to the development of video art through residency programs, with artists such as Nam June Paik, and the "Rockefeller Artists-in-Television" project. Many of these early works (pre-1974) were broadcast both locally and nationally.

As an umbrella for arts related programming, the Workshop included "Artist's Showcase, " "Frames of Reference, " "Dance for Camera, " "Poetry Breaks," and "New Television," as well as acquired arts programming. Individual works were created for "Visions," a series produced by WNET (New York), and "Alive From Off Center," a series produced by KTCA (St. Paul - Minneapolis). The Contemporary Art Television (CAT) Fund was co-founded by the Workshop and Boston's Institute for Contemporary Art (ICA) in the 1980's, to commission works by video artists. In 1993 the Workshop ceased production at WGBH.