quarta-feira, fevereiro 27, 2013

hey all this is Donnie!!!





thank YOU! to all the people that really look into people's needs and support them through any kind of transition everyone is always at some point of their lives, this is just a small example of how humans can work together towards empowering what we forget all the time, humankind. Not just because this is a subject that will obviously get attention but because any kind of subject that draws attention has to be queer in any given way, not to say weird... maybe if we listen to people, to what they're going through, to what they have to say, maybe we'll understand whoever is right next to us and help them the better way we can. #betterworld and thank you MxVBond for sharing.

read here

terça-feira, fevereiro 26, 2013

common knowledge

“Public rituals can…be understood as social practices which generate common knowledge…A public ritual is not just about the transmission of meaning from a central source to each member of an audience; it is also about letting audience members know what other audience members know.”

Read more: here

domingo, fevereiro 24, 2013

OSCAR NIGHT (from 1976 until now...)


Peter Finch as Howard Beale in Sydney Lumet's "NETWORK" (1976):

I don't have to tell you things are bad. Everybody knows things are bad. It's a depression. Everybody's out of work or scared of losing their job. The dollar buys a nickel's worth, banks are going bust, shopkeepers keep a gun under the counter. Punks are running wild in the street and there's nobody anywhere who seems to know what to do, and there's no end to it. We know the air is unfit to breathe and our food is unfit to eat, and we sit watching our TV's while some local newscaster tells us that today we had fifteen homicides and sixty-three violent crimes, as if that's the way it's supposed to be. We know things are bad - worse than bad. They're crazy. It's like everything everywhere is going crazy, so we don't go out anymore. We sit in the house, and slowly the world we are living in is getting smaller, and all we say is, 'Please, at least leave us alone in our living rooms. Let me have my toaster and my TV and my steel-belted radials and I won't say anything. Just leave us alone.' Well, I'm not gonna leave you alone. I want you to get mad! I don't want you to protest. I don't want you to riot - I don't want you to write to your congressman because I wouldn't know what to tell you to write. I don't know what to do about the depression and the inflation and the Russians and the crime in the street. All I know is that first you've got to get mad. You've got to say, 'I'm a HUMAN BEING, God damn it! My life has VALUE!' So I want you to get up now. I want all of you to get up out of your chairs. I want you to get up right now and go to the window. Open it, and stick your head out, and yell, 'I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!' I want you to get up right now, sit up, go to your windows, open them and stick your head out and yell - 'I'm as mad as hell and I'm not going to take this anymore!' Things have got to change. But first, you've gotta get mad!... You've got to say, 'I'm as mad as hell, and I'm not going to take this anymore!' Then we'll figure out what to do about the depression and the inflation and the oil crisis. But first get up out of your chairs, open the window, stick your head out, and yell, and say it: "I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!" 

sábado, fevereiro 23, 2013

untapped cities

SOLARIS / MOON - Daniel Pinheiro - 2013

Photoset: Here

readings: Jean Cocteau's White Book

"Once a Narcissus who was pleasuring himself brought his mouth up to the mirror, glued it to the glass and completed the adventure with himself. Invisible as a Greek god, I pressed my lips against his and imitated his gestures. He never knew that the mirror, instead of reflecting was participating, that it was alive and loved him."

Jean Cocteau - White Book 

quinta-feira, fevereiro 21, 2013

This is an online-only exhibition | New Museum


screenshot of Smoke & Fire (2013) by Dina Kelberman

Dina Kelberman’s new work Smoke & Fire (2013) reflects a reinvigorated impulse towards collecting on the part of contemporary artists.

Read more

quarta-feira, fevereiro 20, 2013

types of failure

1. Accident
2. Mistake
3. Weakness
4. Inability
5. Incorrect Method
6. Uselessness
7. Incompatibility
8. Embarrassment
9. Confusion
10. Redundancy
11. Obsolescence
12. Incoherence
13. Unrecognizability
14. Absurdity
15. Invisibility
16. Impermanence
17. Decay
18. Instability
19. Forgetability
20. Tardiness
21. Disappearance
22. Catastrophe
23. Uncertainty
24. Doubt
25. Fear
26. Distractability

quizoola!



A Forced Entertainment Durational Performance based on 2000 Questions by Tim Etchells.

;

Do you have time to answer a few questions:



In a game of hide and seek where is a good place to hide?

Who invented razor wire?

Describe the first kiss you ever had.

Name three lies that you have told.

What are trees?

Why can’t you see the stars during the daytime?

Do you like the cold in winter-time?

Do you believe in the uniqueness of every human being?

Are you scared of kryptonite?

Have you ever thrown a message into the sea?

Have you written your name in the sand at the beach?

Do you know how to change your identity or how to disappear at will?

When did you last say sorry to someone?

Do you think you are clever?

Do you think I’m clever?

Are these your strategies?

Are they?

Why are you telling all these lies?

Do you think this is funny?

Do you think I’m funny?

Do you think you’re funny?

Where do dreams come from?

Why are people scared of the dark?

Can you love a place and hate it at the same time?

What are the rules of blind man’s buff?

Name six lies that children are commonly told.

Name four things that you have lost.

Name four films starring Marilyn Monroe.

What are the rules of SARDINES?

Do you think that sleep is close to death?

Are you scared of monsters?

What is a magnet?

Why were you up so late last night?

Why were you up so late last night?

Why were you up so late last night?

Why are you having so much trouble sleeping at night?

Can you account for your actions?

Can you explain the rules of cricket?

What is time?

Which property is first on the Monopoly board?

Would you rather drown or burn?

Would you rather be blind or deaf?

Would you rather lose your left hand or your right hand?

What is the definition of comedy?

Did you make a phone call at midnight last night?

Who, in Greek mythology, had a horse called Xanthus?

bypassing


BYPASSING THE RATIONAL by Maciek Jasik

quinta-feira, fevereiro 14, 2013

sábado, fevereiro 09, 2013

High Saturated Beauty





Against snow, a tall Beautiful Being. Whistlings of death and circles of muffled music make this adored body rise, swell and tremble like a ghost; scarlet and black wounds open in the magnificent flesh. The actual colours of life darken, dance, and emerge around the Vision as it takes shape. And shudders arise and rumble, and the frenetic taste of these effects weighted down with the mortal whistlings and raucous music that the world, far behind us, hurls at our mother of beauty, - she backs off, she stands up. Oh! our bones are clad with a new loving body.

O the ashen face, the horsehair escutcheon, the arms of crystal! the cannon on which I must hurl myself through the scrum of trees and light air!


...

micro-revolution grounded on senses


How could hedonism, Epicureanism or libertinism ever be truly revolutionary? They all lead us back to ourselves, to our own blind and lonely isolation. Right? They tend toward making us more self-centred, more narcissistic, the last thing we need in this dreadful age. Correct?

We disagree. We don’t need a Way of Life, there are many. The nature of things forces us to regard and trust our senses above all else; they are our guide and our fate.

We rebel against mechanisation and puritanism equally. We call for a micro-revolution grounded in the senses.

— Homo Protocols, January 2013, Berlin (via homo-online)

“It is a matter of the Revolution—the one which, until such time as there is a classless society, will substitute for the narrow tyranny of a dehumanized bourgeoise the preponderance of the only class that still has a universal mission, because it suffers in the flesh from all the wrongs of history, from all the universal wrongs: the proletariat.”

Aimé Césaire, “Discourse on Colonialism”, 1972

sexta-feira, fevereiro 08, 2013

ART GAME


ART GAME by Pippin Barr

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"Without a doubt the browser as a operating system is the future!", Victor Diaz

sexta-feira, fevereiro 01, 2013

100years


by Barbara Anastacio

Le Temps de l'Amour by Wes Anderson


still from Wes Anderson's Moonrise Kingdom (2012)


Laura Bishop:  I'm sorry, Walt.
Walt Bishop:  ...which injuries are you apologizing for, specifically?
Laura Bishop:  Specifically? The ones that still hurt...
Walt Bishop:  Half of those were self-inflicted.
Walt Bishop ...I hope the roof flies off and I get sucked up into space. You'll be better off without me.
Laura Bishop [quietly]: Stop feeling sorry for yourself.
Walt Bishop: ...why?
Laura Bishop: We're all they've got, Walt.
Walt Bishop: ...it's not enough.


click the picture to listen to: Le Temps de l'Amour by Françoise Hardy

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